The Uprising Isn’t a Robin Hood Origin Story. It’s Something Weirder.
I walked into (well, sat down to research) The Uprising assuming I was about to get a Robin Hood prequel.
I walked into (well, sat down to research) The Uprising assuming I was about to get a Robin Hood prequel. The marketing certainly wanted me to think that — Focus Features spent the weeks before release quietly rebranding the U.S. release as The Uprising: The Rise of Robin Hood, over the visible irritation of the U.K. distributor, who insisted the film “does not make any reference to Robin Hood.”
Both of those things are true at once, which tells you something about the movie itself: it’s a real historical drama about the 1381 Peasants’ Revolt that also, in its last five minutes, decides to become a Robin Hood movie — built out of a rebel crowd speaking in signifiers borrowed from both sides of America’s current populist divide, in a story that ends up meaning something its own star doesn’t seem to have fully reckoned with.
Paul Greengrass’s film is “inspired by” the Great Rising, England’s first large-scale popular revolt, and for most of its runtime it earns that description. Here’s the real sequence:





























































